Note: This is an archived Handbook entry from 2016.
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2016:Semester 2, Southbank - Taught on campus.
Timetable can be viewed here. For information about these dates, click here.
|Time Commitment:||Contact Hours: Total 9 hours per week |
Total Time Commitment:
2 x 1.5 = 3 hours Choreography
2 x 3 = 6 hours Performance
Total Time Commitment: 140 Hours.
Study Period Commencement:
Study Period Commencement:
|Recommended Background Knowledge:|| |
Completion of Year 1 Bachelor of Fine Arts (Dance) ensures all students have appropriate background knowledge.
|Non Allowed Subjects:||None|
|Core Participation Requirements:||
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry.
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability
CoordinatorMs Anna Smith
Choreographic Process into Performance 4 is comprised of two areas; Choreography and Performance. Choreography will extend students’ abilities to creatively use choreographic techniques and processes in sophisticated and inventive ways. Central foci will be the inclusion and use of music, the development of complex group structures in time and space and the consideration of the performance space. Building on the theoretical and practical frameworks established in Choreographic Process into Performance 3 choreography for groups continues as an important outcome. Methods of doing this as a sole choreographer are investigated and developed including leadership and directing skills. Students will reflect on their own skills development and critically analyse their own and others’ creative and choreographic work verbally and in writing.
In Performance students will participate in the third of the five performance projects central to the Bachelor of Fine Arts (Dance) course. Students will participate in making an original work by a guest choreographer or learn and remount an extant dance from a choreographer’s repertory. Students will consolidate their skills as participatory and collaborative dance artists and performers in the creative development processes and/ or the learning and rehearsal stages of a dance work. Interpretive, expressive and articulate physical skills will further develop as students continue to investigate what embodied performance means. Task-based activities to derive new movement material, improvisations, research and a range of ways of exploring creative ideas may be expected in a guest choreographer’s process. This area of the subject will culminate in a Performance season that also includes dances performed by Choreographic Process into Performance 2 students.
This subject will enable students to:-
All assessment tasks must be completed to pass the subject.
The two areas -
1) Choreography and
2) Performance must both be passed to successfully complete the subject.
Additionally, the 20% for written work must be passed to successfully complete the subject.
80% Attendance Hurdle must be met to pass subject.
Participation and Contribution to Coursework (10%)
Written Assignment 1) (10%)
Written Assignment 2) (10%)
Major Choreographic Task – Sole Choreographer
of Group Dance work in a selected location (20%)
Contribution, participation and progress during creative development and rehearsal period (20%)
Performance Assessment (30%)
Banes S. (1994), Writing Dancing in the Age of Postmodernism, (Chapter 25 - Choreographic Methods of the Judson Dance Theater Pg. 211 - 226)
Foster S.L. (1986) Reading Dancing
Jowitt D. (1988) Time and the Dancing Image
Lesschaeve J. (1985) The Dancer and the Dance, Merce Cunningham in Conversation with Jacqueline Lesschaeve
Sayre H.M. (1989) The Object of Performance: the American avant-garde since 1970
Teichel H. (Editor) (2002) Trisha Brown: Dance and Art in Dialogue, 1961-2001
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
On completion of this subject students should have acquired the following skills:-
The capacity for leadership
Bachelor of Fine Arts (Dance) |
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