Note: This is an archived Handbook entry from 2011.
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2011:Semester 1, Southbank - Taught on campus.
Semester 2, Southbank - Taught on campus.
Timetable can be viewed here. For information about these dates, click here.
|Time Commitment:||Contact Hours: 3 hours plus 3 non-contact per week |
Total Time Commitment: 6 hours per week
|Recommended Background Knowledge:||Nil|
|Non Allowed Subjects:||Nil|
|Core Participation Requirements:||For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Students Experiencing Academic Disadvantage Policy, academic requirements for this subject are articulated in the Subject Description, Subject Objectives, Generic Skills and Assessment Requirements of this entry. |
The University is dedicated to provide support to those with special requirements. Further details on the disability support scheme can be found at the Disability Liaison Unit website: http://www.services.unimelb.edu.au/disability/
CoordinatorMr Neil Malone
ContactFaculty of the VCA and Music Student Centre
Tel: +61 3 9685 9419
Fax: +61 3 9685 9358
By lecture and demonstration students are taught basic processes related to intaglio and relief printmaking. Intaglio presents various techniques such as hard ground, soft ground and aquatint and the essential aspects of preparation and printing plates. Aspects of health and safety and appropriate studio workshop procedure are discussed. After the consolidation of processes, students are taught on an individual basis.
Relief printing presents the main modes of printing such as lino cut, wood cut and collagraph and the preparation for the printing of these processes. Aspects of health and safety and appropriate studio workshop procedure are discussed. After the consolidation of processes, students are taught on an individual basis.
|Objectives:||On completion of this subject students should be able to: |
• comprehend and apply the technical and procedural fundamentals of intaglio and/or relief processes in printmaking; and
• form a conceptual relationship between the methodologies, processes and techniques of printmaking and their area of specialisation.
Assessment is based on a folio of the student's work, submitted at the end of the semester, containing a requisite number of works completed during the semester, including finished works, studies, proofs, working drawings and any other relevant material the student may decide to submit (100%).
|Recommended Texts:|| |
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
At the completion of the subject students should be able to:
Bachelor of Fine Art |
Graduate Certificate in Visual Art
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