Note: This is an archived Handbook entry from 2016.
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2016:Semester 1, Parkville - Taught on campus.
A quota applies.
Composition 1 students must take this subject in their first year of acceptance into the Composition Specialisation.
Timetable can be viewed here. For information about these dates, click here.
|Time Commitment:||Contact Hours: 1 two-hour lecture per week |
Total Time Commitment:
Permission of the coordinator.
|Recommended Background Knowledge:|| |
|Non Allowed Subjects:|| |
|Core Participation Requirements:||
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability will impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and the Disability Liaison Unit.
CoordinatorProf Stuart Greenbaum
This subject covers basic studio use and, specifically, the analog recording of audio with microphones and the digital manipulation of that audio on computer. Students will develop a critical awareness of sounds and how they may be combined, treated and sculpted in creative ways. Topics covered include the historical development of electro-acoustic music and a study of relevant techniques including musique concrète, sound recording, digital processing and mixing.
On completion of the subject, students should be able to:
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|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
On completion of the subject, students should have:
Composition Specialisation (BH-MUS) |
Composition Stream (B-MUS version 4 only)
Graduate Diploma and Certificate Elective subjects
Performance/ Composition/ Musicology/ Ethnomusicology Specialisation (B-MUS Version 5 only)
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