Note: This is an archived Handbook entry from 2016.
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2016:Semester 2, Parkville - Taught on campus.
Timetable can be viewed here. For information about these dates, click here.
|Time Commitment:||Contact Hours: One 1-hour lecture and one 1-hour tutorial per week |
Total Time Commitment:
|Recommended Background Knowledge:||None|
|Non Allowed Subjects:||None|
|Core Participation Requirements:||
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability will impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and the Disability Liaison Unit.
CoordinatorMr Robert Schubert
The Alexander Technique focuses on the unconscious, habitual ways in which we use ourselves - our patterns of posture, our movement and our responses as musicians to stress and pressure. Study of F. M. Alexander’s discoveries teaches us to have greater conscious control over these aspects of ourselves.
On completion of this subject, students should:
Journal consisting of weekly entries (total 1200-1500 words), due end of semester (40%); mid semester online multiple-choice test (20%); end of semester online multiple-choice test (20%); active class participation and contribution (20%).
Pedro de Alcantara, Alexander Technique, a skill for life.
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
On completion of this subject, students should have developed:
Graduate Diploma and Certificate Elective subjects |
Performance/ Composition/ Musicology/ Ethnomusicology Specialisation (B-MUS Version 5 only)
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