Note: This is an archived Handbook entry from 2016.
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2016:Semester 1, Parkville - Taught on campus.
Timetable can be viewed here. For information about these dates, click here.
|Time Commitment:||Contact Hours: A 2-hour seminar per week. |
Total Time Commitment:
Total expected time commitment is 170 hours across the semester, including class time.
Admission to the postgraduate diploma or fourth year honours in art history.
|Recommended Background Knowledge:|| |
Prior completion of at least one undergraduate Art History subject.
|Non Allowed Subjects:|| |
AHIS40008 Futurism and Fascist Art in Italy
|Core Participation Requirements:||
For the purposes of considering request for Reasonable Adjustments under the disability Standards for Education (Cwth 2005), and Students Experiencing Academic Disadvantage Policy, academic requirements for this subject are articulated in the Subject Description, Subject Objectives, Generic Skills and Assessment Requirements of this entry.
The University is dedicated to provide support to those with special requirements. Further details on the disability support scheme can be found at the Disability Liaison Unit website: http://www.services.unimelb.edu.au/disability/
CoordinatorDr Anthony White
This subject is an advanced seminar which examines specific moments in twentieth-century Italian art. Exploring a broad range of visual culture in modern Italy, the syllabus will cover artistic developments and critical debates in painting, sculpture, film, architecture and industrial design. This material will be brought into focus by being organized around two fundamental issues: the relationship between art and events in the broader social and cultural sphere, and the changing face of avant-garde practice throughout twentieth-century Italian art. Students will investigate the futurist movement’s violent polemic against traditional art and their various attempts to connect art and everyday life through painting, sculpture, music, fashion and the decorative arts. The complex relationship between futurism and fascism will also be examined in conduction with a broader study of fascist culture, which will concentrate on architecture, propaganda and political spectacle. The work of post-WWII realist film-makers and industrial designers will be studied in the light of their claims to bring art closer to the people. The rise of abstraction during the 50s and 60s will also be examined. Lucio Fontana’s introduction of anti-artistic and industrial materials into his painting and sculpture will be studied, as will the work of Piero Manzoni, who mercilessly attacked the post-WWII commercialisation of the avant-garde. The subject will conclude with a survey of the late 1960s work of the Arte povera artists, whose emphasis on process and materiality will be examined as part of the ongoing ambition in Italian art to disintegrate the boundaries of the traditional art work and bring it down to earth.
Students who complete this subject should
A 2000 word essay based on a class presentation 40% due during the semester), and a 3000 word research essay worth 60% (due in the examination period).
Students are required to attend a minimum of 80% (or 10 out of 12) classes in order to qualify to have their written work assessed. Any student who fails to meet this hurdle without valid reason will not be eligible to pass the subject. All required written work must be submitted in order to pass the subject. Essays submitted after the due date without an extension will be penalised 2% per day. Essays submitted after two weeks of the assessment due date without a formally approved application for special consideration or an extension will only be marked on a pass/fail basis if accepted.
|Prescribed Texts:|| |
A subject reader will be available.
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
Students who complete this subject will be able to:
100 Point Master of Art Curatorship |
150 Point Master of Art Curatorship
200 Point Master of Art Curatorship
Graduate Certificate in Arts (Advanced) - Art History
Graduate Certificate in Arts - Art History
Graduate Diploma in Arts (Advanced) - Art History
Graduate Diploma in Arts - Art History
PC-ARTS Art History
PD-ARTS Art History
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