Choreographic Process into Performance 1

Subject DNCE10016 (2015)

Note: This is an archived Handbook entry from 2015.

Credit Points: 12.5
Level: 1 (Undergraduate)
Dates & Locations:

This subject has the following teaching availabilities in 2015:

Semester 1, Southbank - Taught on campus.
Pre-teaching Period Start not applicable
Teaching Period 02-Mar-2015 to 12-Jun-2015
Assessment Period End 26-Jun-2015
Last date to Self-Enrol 13-Mar-2015
Census Date 31-Mar-2015
Last date to Withdraw without fail 08-May-2015

Timetable can be viewed here. For information about these dates, click here.
Time Commitment: Contact Hours: 90 Hours
Total Time Commitment:

120 Hours



Study Period Commencement:
Credit Points:
Semester 1
Recommended Background Knowledge:


Non Allowed Subjects:


Core Participation Requirements:

For the purposes of considering requests for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Students Experiencing Academic Disadvantage Policy, academic requirments for this subject are articulated in the Subject Description, Subject Objectives, Generic Skills and Assessment Requirements of this entry.
The University is dedicated to provide support to those with special requirements. Further details on the disability support scheme can be found at the Disability Liaison Unit website:


Ms Nina Veretennikova


Nina Veretennikova

Subject Overview:

Choreographic Process into Performance 1 introduces students to choreographic elements and principles, performance skills and artistry that will be central to their development as a dance artist.

An investigation of the elements of contemporary choreography: Body, Space, and Time aims to develop each student's ability to confidently create and manipulate choreographic materials. Creative compositional processes, improvisation tasks and scores, skills development in the duo form and studio-based study of Australian contemporary repertoire provides an integrated approach to the development of a personal movement vocabulary and style and ultimately for developing original choreography.

Practical workshops in partnering draw on both contemporary dance and classical ballet to develop students’ fundamental skills in partnering and an understanding of the duet form.

As an introduction to practice-based research students will encounter the work of significant Australian choreographers through the study and reproduction of extracts of seminal works.

Further context for the extracts studied here will also be examined in the complementary Dance Lineages subject.

During the three-year course students will work with a range of leading and emerging choreographers in the creation and performance of new dance works and existing repertoire.

Learning Outcomes:

This subject will enable students to:
• use the elements of movement, and choreographic form and content with creativity and imagination;
• confidently generate and manipulate choreographic materials;
• achieve a grounding in the fundamental skills of the Duo form drawing on content from both contemporary dance and classical ballet genres;
• use improvisation as a method to explore personal movement vocabulary, and as a choreographic tool;
• create and perform a solo study;
• lay the foundation for an embodied history of Australian Contemporary Choreography through study of significant Australian contemporary repertoire.


1. Choreographic Processes (55% of total mark for subject)
Participation and contribution to coursework (including minor practical assessment mid-semester) 40%
Major Assessment Solo task 40%;
Journal equivalent to 2000 words 20%.

2. Improvisation (15% of total mark for subject)
Participation and contribution to coursework 100%

3. Duo (15% of total mark for subject)
Participation and contribution to coursework 100%

4. Repertory Studies (15% of total mark for subject)
Participation and contribution to course work 60%
Group presentation of repertoire extract 40%

Hurdle requirements:
Students must attend 80% of all scheduled classes and attempt all elements of assessment to be eligible for a pass in this subject.

Prescribed Texts:

Building dances: a guide to putting dances together - S. McGreevy-Nichols, H. Scheff, M.Sprague (2005)
The Intimate Act of Choreography – Lynne Anne Blum & L. Tarin Chaplin (1982)
Choreography: a basic approach to using improvisation - Sandra C. Minton (2007)

Breadth Options:

This subject is not available as a breadth subject.

Fees Information: Subject EFTSL, Level, Discipline & Census Date
Generic Skills:

On completing this subject students will be able to:
• create and organise aesthetic material
• exercise imaginative and transformative processes
• solve problems
• apply theory to practice in the creation of artistic work
• think critically and work collaboratively;
• recognise and work within aesthetic domains.

Related Course(s): Bachelor of Fine Arts (Dance)

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