Note: This is an archived Handbook entry from 2013.
|Dates & Locations:|| |
This subject is not offered in 2013.
|Time Commitment:||Contact Hours: 1 one-hour lecture and 1 one-hour tutorial per week |
Total Time Commitment:
|Recommended Background Knowledge:||None|
|Non Allowed Subjects:||None|
|Core Participation Requirements:||
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability will impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and the Disability Liaison Unit.
This subject will examine a range of different topics relating to choral music, from plainchant to contemporary Australian composition. It will provide an opportunity to examine some of the social, cultural and political forces that have shaped our perceptions of this music, and to study selected examples of the choral repertoire, including large-scale Renaissance works such as Tallis’s 40-part Spem in alium; Bach’s B-minor Mass; the working men’s choirs of the early nineteenth century; choral societies in colonial Melbourne; the role of choirs in the Early Music revival; and recent choral compositions by Elliott Gyger, Eric Whitacre and others.
On successful completion of this subject students should have developed:
Two tutorial assignments of 500 words each, due in weeks 3 and 6 respectively (20% - 10% each assignment); 1000 word report on live choral performance (as audience member or performer), due in week 9 (25%); essay of 3000 words, due end of semester (55%).
|Prescribed Texts:|| |
A reader will be available via the LMS
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
On successful completion of this subject, students should be able to:
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