Note: This is an archived Handbook entry from 2012.
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2012:July, Parkville - Taught on campus.
Semester 2, Parkville - Taught on campus.
Timetable can be viewed here. For information about these dates, click here.
|Time Commitment:||Contact Hours: 24 hours. |
Total Time Commitment: 125 hours. Attendance at all classes (tutorial/seminars/practical classes/lectures/labs) is obligatory. Failure to attend 80% of classes will normally result in failure in the subject.
|Recommended Background Knowledge:||None|
|Non Allowed Subjects:||None|
|Core Participation Requirements:||
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Students Experiencing Academic Disadvantage Policy, academic requirements for this subject are articulated in the Subject Description, Subject Objectives, Generic Skills and Assessment Requirements of this entry.
The University is dedicated to provide support to those with special requirements. Further details on the disability support scheme can be found at the HDisability Liaison Unit websiteH: Hhttp://www.services.unimelb.edu.au/disability/H
CoordinatorDr Wesley Imms
ContactEducation Student Centre
This subject examines through practice, discussion and associated reading, participating students’ beliefs concerning the relationship and associated tensions of being an artist and being a teacher. As a key outcome of this subject, students will engage in a personal artistic exercise, resulting in produced work or work-in-progress, as a method for exploring this issue. While this subject is designed to accommodate all art forms, it is intended that this process be supported by an arts-specific cohort of students within this subject. Students’ artistic endeavours, and associated dialogue, will be documented and analysed through an action-research/reflective practice process, with students’ art or performance making analysed within the class and through regular contributions to an on-line discussion forum generating a community of practice.Students will exhibit or present live their artwork/s or performance/s as a finished work or work-in-progress, with an accompanying exegesis. The exegesis is intended to extrapolate the educational implications of this personal process, which could include its impact on participants’ teaching, how their artistic practice influences the learning of their own students, or the role of personal artistic processes on a participant’s well-being as an educator.
The students will:
No prescribed text.
A prescribed reader will be available.
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
Master of Education (Stream 100B)Coursework |
Master of Education (Stream 150)
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