Note: This is an archived Handbook entry from 2009. Search for this in the current handbook
|Dates & Locations:|| |
This subject has the following teaching availabilities in 2009:The subject is delivered through supervised time in the studio. One-on-one technical assistance is available as required, subject to technical staff availability.
For information about these dates, click here.
|Time Commitment:||Contact Hours: 3 hours per week |
Total Time Commitment: 3 hours per week
|Recommended Background Knowledge:||None|
|Non Allowed Subjects:||None|
|Core Participation Requirements:||
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry.
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability
|Subject Overview:|| |
The development of image generating abilities, observational skills and the articulation of these in a range of drawing and other media. A series of 12 studio workshops which create circumstances where students experiment with and develop images, mainly drawings and related forms from life, still life, imagination, collage, etc.
|Assessment:||Informal, formative assessment of developing and finished work takes place in the form of group and individual tutorials/feedback on a regular basis in class hours. Formal, summative assessment of the entire semester folio takes place at the end of the semester. For end of semester assessment, each student submits a folio of work that demonstrates engagement with the course, the development of ideas and skills, and a personal direction. Documentation of ephemeral works or works completed off-campus, visual diaries and other notations done in direct relation to the course structure are all admissible (100%).|
|Prescribed Texts:||Note all recommended texts are available in the VCA Library; however, limited copies are available and students should consider purchasing these books in the longer term. Often extra copies are available from one of the main University of Melbourne Libraries on the Carlton Campus. Edwards, Betty 1999, The new drawing on the right side of the brain, Tarcher/Putnam, New York. (VCA Library 741.2 Edw) Goldstein, Nathan 1981, Figure drawing: the structure, anatomy, and expressive design of human form, Prentice-Hall, Englewood Cliffs, N.J. (VCA Library 743.4 Gol) Nicholas, Penny, 1993, The materials of sculpture, Yale University Press, New Haven. (VCA Library 731.028 Pen) Simblet, Sarah 2001, Anatomy for the artist, Dorling Kindersley, London. (VCA Library 743.49 Sim)|
|Recommended Texts:|| |
Information Not Available
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
|Generic Skills:|| |
At the completion of the course or subject students should be able to:
Bachelor of Fine Art |
Bachelor of Fine Art (Sculpture and Spatial Practice)(VCA)
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