|Dates & Locations:|| |
This subject is not offered in 2008.
|Time Commitment:||Contact Hours: A 1-hour lecture and a 1.5-hour tutorial per week for 12 weeks |
Total Time Commitment: Not available
|Prerequisites:||Usually 12.5 points of first-year art history.|
|Recommended Background Knowledge:||None|
|Non Allowed Subjects:||None|
|Core Participation Requirements:||
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry.
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability
|Subject Overview:|| |
This subject traces the history of international and Australian photography from the medium's invention to the 21st century. It also examines the theories that accompanied photography's evolving place as an art form and as a medium that was continually and profoundly affected by changing technologies. The subject will investigate photography's role as a document, as a witness to events and to changing ideas of the body, race and gender. Students will encounter the evolution of the medium, its intersection with existing artforms, and the documentation of the modernising city, the frontier and distant colonial possessions by travelling photographers. They will look at the impact of 20th century modernism in the creation and legitimisation of the new art form, and consider the recording of nation-building by Australian photographers, the indispensability of photography to propaganda and advertising from the 1920s onwards, the snapshot revolution of 1970s conceptualist photography, the avant-garde and then postmodern artists who appropriated photography as the medium most suited to critical art practices and then to the simulation of 'reality', and the emergence of new digital photography at the start of the 21st century.
|Assessment:||Written work which may comprise class papers, an essay and a take-home examinations totalling 4000 words. All pieces of written work must be submitted as a hurdle requirement for this subject.|
|Prescribed Texts:||Prescribed Texts:A subject reader will be available from the Bookroom at the beginning of semester|
|Breadth Options:|| |
This subject is not available as a breadth subject.
|Fees Information:||Subject EFTSL, Level, Discipline & Census Date|
|Generic Skills:|| |
Download PDF version.