Theatres of Migration and Exile

Subject 106-400 (2008)

Note: This is an archived Handbook entry from 2008.Search for this in the current handbookSearch for this in the current handbook

Credit Points: 12.500
Level: Undergraduate
Dates & Locations:

This subject is not offered in 2008.

Time Commitment: Total Time Commitment: Not available
Prerequisites: Admission to Postgraduate Diploma or Fourth Year Honours in Theatre Studies
Corequisites: None
Recommended Background Knowledge: None
Non Allowed Subjects: None
Core Participation Requirements:

For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry.

It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support:


Denise Varney
Subject Overview:

This subject investigates transitional trends in contemporary theatre. Where national and postcolonial theatres have historically functioned as sites for the exploration of nation and national identity, theatres of migration and exile offer multicultural, intercultural, trans- and postnational perspectives on a mobile world. Through the study of selected dramatic texts and performances, students will critically engage with themes of flight, border-crossing, homeland, mobility, memory and identity. The critical throught of Homi Bhabha, Rustom Bharacha and Una Chaudhuri informs the inquiry. Questions include theatreÂs response to the challenge of difference, how it incorporates multiple languages and performance traditions including narrative, song and dance. Key works include Odette BestÂs True, Ariane MnouchkineÂs Le Dernier Caravansérail, Tony KushnerÂs Homebody/Kabul, Guillermo Gómez-PeñaÂs performance events and installations, Ping ChongÂs Undesirable Elements Project, and Athol FugardÂs Sizwe Bansi is Dead and The Island.

Assessment: Seminar paper discussing the text of a chosen performance due mid-semester (1500 words, worth 30%). An essay which critically examines theatre of migration and exile, utilising chosen and competing critical theories due end of semester (3500 words, worth 70%).Note:Assessment submitted late without an approved formal extension will be penalised at 2% per day. Students who fail to submit up to 2-weeks after the final due date without a formal extension and/or special consideration will receive a fail grade for the piece of assessment.
Prescribed Texts: Prescribed Texts:A subject reader will be available from the Bookroom at the beginning of semester
Breadth Options:

This subject is not available as a breadth subject.

Fees Information: Subject EFTSL, Level, Discipline & Census Date
Generic Skills:
  • be able to demonstrate a high level of written communication skills, including conformity to academic protocols of presentation and research;

  • be able to demonstrate a high level of competence in reading, synthesizing, and presenting to others the relevant theoretical material;

  • be able to design and conduct original research that includes reflection on their own learning.


This subject is available to Bachelor of Creative Arts (Theatre Studies) honours and Postgraduate Diploma (Theatre Studies) students.

Related Course(s): Bachelor of Creative Arts(Honours)
Bachelor of Creative Arts(Honours)

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