Screen Culture and Aesthetics 3
Subject FLTV30011 (2016)
Note: This is an archived Handbook entry from 2016.
Credit Points: | 12.5 | ||||||||||||
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Level: | 3 (Undergraduate) | ||||||||||||
Dates & Locations: | This subject has the following teaching availabilities in 2016: Semester 1, Southbank - Taught on campus.
Timetable can be viewed here. For information about these dates, click here. | ||||||||||||
Time Commitment: | Contact Hours: 35 Total Time Commitment: 136 | ||||||||||||
Prerequisites: | FLTV20010 SCREEN CULTURE AND AESTHETICS 2 Subject Study Period Commencement: Credit Points: | ||||||||||||
Corequisites: |
Screen Practice 3 (BFA – Film and Television) Languages of the Screen 3 (BFA – Film and Television) Or Screenwriting Practices 2A (BFA – Screenwriting) Gaming and the Writer (BFA – Screenwriting) Writing for the Youth Screen Market (BFA – Screenwriting)
Corequisites MUST be taken in the same study period. Subject Study Period Commencement: Credit Points: | ||||||||||||
Recommended Background Knowledge: | N/A | ||||||||||||
Non Allowed Subjects: | N/A | ||||||||||||
Core Participation Requirements: |
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry. It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability |
Subject Overview: |
Screen Culture and Aesthetics 3 is the advanced study of screen culture and history with a particular emphasis on critical study for practical screenwriters and directors. Through lectures, discussion and screenings, students rigorously investigate filmmakers that have challenged the assumptions of conventional narrative with a particular emphasis on performance. The subject investigates a range of performance styles including the body, the voice, melodrama, realism, method, Brecht etc. Specific attention is given to the problems of performance for filmmakers. Students will apply their knowledge by reflecting critically on their own production work and the work of fellow students..
This subject includes an embedded program in academic literacy skills of analysis, discussion, essay writing, research and information retrieval. |
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Learning Outcomes: |
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Assessment: |
Hurdle requirement Students must attend 80% of all scheduled classes and attempt all elements of assessment to be eligible for a pass in this subject. |
Prescribed Texts: | None |
Recommended Texts: | N/A |
Breadth Options: | This subject is not available as a breadth subject. |
Fees Information: | Subject EFTSL, Level, Discipline & Census Date |
Generic Skills: |
On completing this subject students will be able to:
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Related Course(s): |
Bachelor of Fine Arts (Film and Television) Bachelor of Fine Arts (Screenwriting) |
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