Music in the Culture of the Renaissance

Subject MUSI40047 (2016)

Note: This is an archived Handbook entry from 2016.

Credit Points: 12.5
Level: 4 (Undergraduate)
Dates & Locations:

This subject is not offered in 2016.

Time Commitment: Contact Hours: One 2-hour seminar per week
Total Time Commitment:

170 hours

Prerequisites: None
Corequisites:

None

Recommended Background Knowledge:

Musical literacy is assumed.

Non Allowed Subjects:

None

Core Participation Requirements:

For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry.

It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability

Subject Overview:

Through individual studies of selected musical centres and repertories, students will explore the nature, the role, and the functions of music in European society during the Renaissance. Using diverse materials, students will engage in a directed exploration of selected repertory, manuscript and printed sources, early notation, theoretical writings, performance practices, social history and current issues in scholarship and performance. Students will gain an enhanced experience of the musical life of the period, and develop critical skills that will assist them to evaluate recent musicological scholarship and modern performances.

Learning Outcomes:
  • Understand the position of music in the culture of the Renaissance
  • Understand the uses to which music was put in the Renaissance
  • Develop an awareness of the principal generic types used by composers through the Renaissance
  • Understand the contexts in which music was used in the Renaissance
  • Develop an awareness of the performance practice of music in the Renaissance
  • Critically engage with relevant literature in the field
Assessment:
  • CD liner note of 1000 words, due Week 6 (40%)
  • Research essay of 4000 words, due End of Semester (60%)
Prescribed Texts:

A comprehensive course pack will be provided.

Breadth Options:

This subject is not available as a breadth subject.

Fees Information: Subject EFTSL, Level, Discipline & Census Date
Generic Skills:

On completion of this subject students should have developed:

  • a capacity for independent critical thought

  • high-level cognitive skills

  • an openness to new ideas

  • knowledge, skills and practices which provide a basis for independent critical inquiry and research-based writing

Related Majors/Minors/Specialisations: Composition Specialisation (BH-MUS)
Graduate Diploma and Certificate Elective subjects
Musicology/Ethnomusicology Specialisation (BH-MUS)
Performance Specialisation (BH-MUS)
Tailored Program (BH-MUS)

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