Postgraduate Seminar
Subject MUSI90055 (2015)
Note: This is an archived Handbook entry from 2015.
| Credit Points: | 6.25 |
|---|---|
| Level: | 9 (Graduate/Postgraduate) |
| Dates & Locations: | This subject is not offered in 2015. |
| Time Commitment: | Contact Hours: One 2-hour seminar per week over two semesters. Total Time Commitment: Not available |
| Prerequisites: | None. |
| Corequisites: | None. |
| Recommended Background Knowledge: | None. |
| Non Allowed Subjects: | None. |
| Core Participation Requirements: |
It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability will impact on meeting the requirements of this course are encouraged to discuss this matter with a Faculty Student Adviser and the Disability Liaison Unit. |
Contact
Contact Centre
T: 13 MELB (6352)
E: 13melb@unimelb.edu.au
Melbourne Conservatorium of Music
VCA and Music Student Centre
Contact: www.vcam.unimelb.edu.au/contact
Web: www.conservatorium.unimelb.edu.au
| Subject Overview: |
A series of weekly seminars normally divided into two segments of one hour each. In some weeks the seminar is split into separate musicology and performance groups; other weeks the seminar is jointly run. General seminar format:
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|---|---|
| Learning Outcomes: |
On completion of the subject, students should have gained experience in the preparation and presentation of research papers and a wider perspective of research and associated issues in musicology and performance. |
| Assessment: |
Students are required to attend at least 18 seminars per semester (over 2 semesters) during candidature. Assessment is on a Pass/Fail basis . |
| Prescribed Texts: | None. |
| Breadth Options: | This subject is not available as a breadth subject. |
| Fees Information: | Subject EFTSL, Level, Discipline & Census Date |
| Generic Skills: |
On completion of the subject, students should have gained experience in the preparation and presentation of research papers and a wider perspective of research and associated issues in musicology and performance. |
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