Writing for Performance 2 (Collab)
Subject THTR70009 (2013)
Note: This is an archived Handbook entry from 2013.
Credit Points: | 12.50 | ||||||||||||
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Level: | 7 (Graduate/Postgraduate) | ||||||||||||
Dates & Locations: | This subject has the following teaching availabilities in 2013: Semester 1, Southbank - Taught on campus.
Timetable can be viewed here. For information about these dates, click here. | ||||||||||||
Time Commitment: | Contact Hours: 48 Total Time Commitment: 120 Hours | ||||||||||||
Prerequisites: | None | ||||||||||||
Corequisites: | None | ||||||||||||
Recommended Background Knowledge: | None | ||||||||||||
Non Allowed Subjects: | None | ||||||||||||
Core Participation Requirements: |
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry. It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability |
Contact
Faculty of the VCA and Music Student Centre
Ground Floor, Elisabeth Murdoch Building (Bldg 860)
Southbank Campus
234 St Kilda Road, Southbank, 3006
Enquiries
Phone: 13 MELB (13 6352)
Email: 13MELB@unimelb.edu.au
Subject Overview: |
In this practice-based subject the student writer undertakes a range of writing classes and exercises with the aim of developing techniques for the generation and structuring of original material for live performance within a collaborative context; in working to a brief in diverse professional circumstances; and in developing the skills necessary to negotiate a collaborative creative vision. Students engage in a range of collaborative writing exercises including working with performers on a small group devised project, team writing, improvisation, writing with/for communities, and collaborative adaptations of existing dramatic texts. The subject focuses on the relationship between form and content, and between performers and the audience, on tensions between order and disorder, questions of authorship, and what constitutes performance in the hyper-real digital age. New international and Australian forms of ‘decentered’ collaborative dramaturgy, in which a multiplicity of trends, narratives and directions run in parallel and/or intersect in various innovative ways, will also be explored. From time to time there will be master classes with visiting professional performance writers. |
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Objectives: |
On completing this subject students will be able to: |
Assessment: |
Ongoing participation in class work, readings, workshops and discussions 10% |
Prescribed Texts: | None |
Breadth Options: | This subject is not available as a breadth subject. |
Fees Information: | Subject EFTSL, Level, Discipline & Census Date |
Generic Skills: |
On completing this subject students will be able to: |
Links to further information: | http://www.vcam.unimelb.edu.au/ |
Related Course(s): |
Master of Writing for Performance |
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