Integrated Body Mind Practices 3
Subject DNCE20020 (2013)
Note: This is an archived Handbook entry from 2013.
Credit Points: | 6.25 |
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Level: | 2 (Undergraduate) |
Dates & Locations: | This subject is not offered in 2013. |
Time Commitment: | Contact Hours: See below Total Time Commitment: 1 x 1.5 hours Kinesiology workshop TOTAL 3 hours contact Estimated total time commitment: 60 hours |
Prerequisites: | Subject Study Period Commencement: Credit Points: |
Corequisites: | Subject Study Period Commencement: Credit Points: |
Recommended Background Knowledge: |
Completion of Bachelor of Fine Arts (Dance) Body Mind Practices 1 and Dance Technique 3 ensures all students have appropriate background knowledge |
Non Allowed Subjects: | None |
Core Participation Requirements: |
For the purposes of considering request for Reasonable Adjustments under the Disability Standards for Education (Cwth 2005), and Student Support and Engagement Policy, academic requirements for this subject are articulated in the Subject Overview, Learning Outcomes, Assessment and Generic Skills sections of this entry. It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability may impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and Student Equity and Disability Support: http://services.unimelb.edu.au/disability |
Contact
Faculty of the VCA & MCM Student Centre
Ground Floor, Elisabeth Murdoch Building (Bldg 860)
Southbank Campus
234 St Kilda Road, Southbank, 3006
Enquiries
Phone: 13 MELB (13 6352)
Email: 13MELB@unimelb.edu.au
Subject Overview: |
The subject will involve further study and practice of ideokinetic processes to foster a balanced alignment of the skeletal system and re-education of neuromuscular habits in movement. Students will investigate the mechanical principles underlying the design of kinetic imagery and the relationships of both bone and muscle groups in relation to postural alignment and efficient physical coordination. Students will experience moving from a source of imagery, emanating from Skinner Releasing Technique, ideokinesis and/or anatomical based releasing techniques with emphasis on working with information, theory, somatic & experiential processes. The overriding theme is of integrating the appendicular skeleton to the stable and pliable axial skeleton and the stabilisation and integration of lower body structures. Other kinetic practices, such as Feldenkrais will also be studied. |
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Objectives: |
This subject will enable students to:
KINESIOLOGY
FELDENKRAIS
|
Assessment: |
Contribution and participation to coursework against the prescribed criteria: Written assignments (1000 words total) Kinesiology practical exam. Timing of assessment is end of semester and weight is 20%. Hurdle requirements Students must attend 80% of all scheduled classes and attempt all elements of assessment to be eligible for a pass in this subject. Regular participation in seminars and studio is required. |
Prescribed Texts: |
Kinesiology Fitt.S.S.1996.Dance Kinesiology.2 nd ed.Schirmer Sweigard, L. E. 1974. Human Movement Potential, It’s Ideokinetic facilitation, Harper & Row, New York Todd, M. E. 1937. The Thinking Body.Dance Horizons, New York Franklin, E. 2003.Pelvic Power.1 st ed. Princeton Book company Class handouts available on LMS
Feldenkrais Class handouts available on LMS Feldenkrais, M.1984.Awareness through Movement Health Exercises for Personal Growth. Penguin Todd, M. E. 1937. The Thinking Body.Dance Horizons, New York |
Breadth Options: | This subject is not available as a breadth subject. |
Fees Information: | Subject EFTSL, Level, Discipline & Census Date |
Related Course(s): |
Bachelor of Fine Arts (Dance) |
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