Women in Music

Subject MUSI40028 (2011)

Note: This is an archived Handbook entry from 2011.

Credit Points:

12.50

Level:

4 (Undergraduate)

Dates & Locations:

This subject has the following teaching availabilities in 2011:

Semester 2, Parkville - Taught on campus.

Pre-teaching Period Start	not applicable
Teaching Period	not applicable
Assessment Period End	not applicable
Last date to Self-Enrol	not applicable
Census Date	not applicable
Last date to Withdraw without fail	not applicable

Timetable can be viewed here. For information about these dates, click here.

Time Commitment:

Contact Hours: One 2-hour seminar per week
Total Time Commitment: 120 hours

Prerequisites:

Available as breadth by permission of the coordinator

Corequisites:

N/A

Recommended Background Knowledge:

N/A

Non Allowed Subjects:

N/A

Core Participation Requirements:

It is University policy to take all reasonable steps to minimise the impact of disability upon academic study, and reasonable adjustments will be made to enhance a student's participation in the University's programs. Students who feel their disability will impact on meeting the requirements of this subject are encouraged to discuss this matter with a Faculty Student Adviser and the Disability Liaison Unit.

 CoordinatorDr Suzanne Robinson Contact
Faculty of the VCA and Music Student Centre
Email: vcam-info@unimelb.edu.au
Tel: +61 3 9685 9419 
Fax: +61 3 9685 9358
Web: http://www.vcam.unimelb.edu.au/studentcentre 

Subject Overview:	A study of the ways in which gender and sexual difference have been represented in the making and composing of art music. Beginning with medieval women, this subject explores the social and cultural context of women composers and performers from Hildegard to Clara Schumann and Ethel Smyth through to contemporary composers such as Kaija Saariaho, as well as ideas of the “angel in the house” and the New Woman. It problematises women’s bodies, women’s voices and women’s place in society, examining music by and about women as well as representations of women’s music in art, literature and film.
Objectives:	On completion of this subject, students should have a detailed knowledge of women composers and musicians and their achievements and an understanding of the application of feminist theories to studies in music.
Assessment:	Four short seminar reports (40%); an essay of 3500 words (60%).
Prescribed Texts:	A book of readings will be available from the Melbourne University Bookshop before the start of semester.
Breadth Options:	This subject potentially can be taken as a breadth subject component for the following courses: Bachelor of Arts Bachelor of Biomedicine Bachelor of Commerce Bachelor of Environments Bachelor of Science Bachelor of Engineering You should visit learn more about breadth subjects and read the breadth requirements for your degree, and should discuss your choice with your student adviser, before deciding on your subjects.
Fees Information:	Subject EFTSL, Level, Discipline & Census Date
Generic Skills:	Students who have studied this subject should develop and enhance: their analytic and problem solving skills a capacity for independent critical thought.
Related Course(s):	Diploma in Music (Practical)
Related Majors/Minors/Specialisations:	Composition Ethnomusicology Music History Music History Major Musicology Performance

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